The inaugural Capstone Showcase for UCD’s BA in Creative & Cultural Industries (CCI) marked a major milestone for both students and Ireland’s wider creative sector. Held in Trapdoor, UCD’s state-of-the-art black box theatre on 8th May 2026, the event celebrated the first graduating class of the innovative interdisciplinary programme developed through Creative Futures Academy (CFA).
Family members, academics, industry leaders and creative practitioners gathered to recognise the achievements of 28 final-year students whose projects explored themes ranging from AI and digital culture to activism, identity, accessibility and sustainability. The strong attendance from families travelling across Ireland reflected the significance of the occasion, while the presence of industry partners highlighted the programme’s deep engagement with the creative and cultural industries.
Welcoming guests, Professor Emily Mark-FitzGerald, Head of Subject for Cultural Policy & Industries and Pathway Coordinator for the BA in CCI, described the programme as “the embodiment of what university should be: a time for exploration, encounter, and experimentation.” She highlighted the degree’s unique interdisciplinary structure, combining arts and humanities with business, law, media and communications, preparing students to navigate and shape an evolving creative economy.
CCI is symbolic of CFA at UCD’s focus on connecting with the wider industry and cultural landscape, and we are investing in this area to ensure our students not only leave UCD ready for the world, but leave ready to transform it.
Industry-facing: The Creative Futures Academy funding from the HEA has enabled our students benefit for a wide range of industry-focused modules over their past four years, including:
Formally launched by UCD President Professor Orla Feely, the showcase demonstrated the breadth and ambition of student work produced across four years of industry-focused learning. The students’ final-year projects were introduced by Dafe Pessu Orugbo, an award-winning multidisciplinary artist and UCD Teaching Fellow on the Creative & Cultural Industries programme. He has spent the last year coaching student projects and preparing them to transition to industry.
Projects included activist art installations, ethnographic filmmaking, zines, digital exhibitions, marketing plans and multimedia performances. Among the featured presentations were Klaudie Guthova’s research into trust and authenticity in AI-generated marketing content, Haiyue Jing’s ethnographic short film documenting the lives of first-generation working women in Southwest China, and Lara Comiskey and Eva Duggan’s collaborative exploration of changing student social life at UCD.
The event also highlighted the programme’s strong industry-facing ethos. Supported through the HEA Human Capital Initiative and CFA collaboration between UCD, NCAD and IADT, the degree has enabled students to engage directly with professionals across film, media, fashion, music, design and broadcasting. Many students have completed internships with organisations including Disney+, RTÉ, Element Pictures and LADbible Ireland, while others have participated in study abroad programmes across Europe, Asia and Australia.
Ireland’s creative industries contribute more than €5 billion annually to the economy and employ over 80,000 people. The BA in Creative & Cultural Industries was designed in direct consultation with industry to help develop the next generation of creative professionals equipped with interdisciplinary skills, adaptability and entrepreneurial thinking.
As the first cohort prepares to graduate, the Capstone Showcase demonstrated not only the creativity and critical thinking of its students, but also the growing impact of CFA in shaping Ireland’s future cultural and creative landscape. Huge congratulations to all the students involved and special thanks to Emily Mark-FitzGerald, Emer Beesley and Dafe Pessu Orugbo for organising. Read the full list of the projects below.
CFA was also delighted to have the showcase covered by RTÉ – read the full article HERE
| Christina | Ashley | Reimagining Value Beyond the Fast Fashion Profit Structure (upcycled garment & critical text)
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| Erin O’Neill | Baily | Constructed / Lived: Feminine Energy in Editorial Photography (portrait photography project)
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| Fyn | Bullard-Roche | Ealain agus Athru: Confronting Far-Right Sentiment in Ireland (activist art project)
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| Lara | Comiskey | “The Space in Between”: a critical examination of the transformation of student social life at University College Dublin: Building 71 (visual / analytical piece) (with Eva Duggan)
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| Sam | Cummins | “The Keening” – Irish wakes as Performance (screenplay)
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| Chloe | Curley | The New Gaelic Revival: Irish Identity and Cultural Expression in Contemporary Fashion (zine)
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| Eva | Duggan | “The Space in Between”: a critical examination of the transformation of student social life at University College Dublin: Building 71 (visual / analytical piece) (with Lara Comiskey)
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| Alannah | Fäsenfeld | Constructing Self-Presentation Across TikTok, Instagram, and LinkedIn: A Multimodal Discourse Analysis of Young Adults Aged 18–24 (thesis)
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| Kate | Fitzgerald | What is the place of Axis throughout Ballymun? (dissertation)
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| Maya | Gaul | ‘’It’s a democratic right for people to be creative’’: how Irish arts organisations foster belonging and a sense of community (live multimedia showcase)
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| Klaudie | Guthova | Can You Tell Which One is AI? Perceived Trust and Authenticity Towards AI-generated Marketing Content in the Creative and Cultural Industries
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| Anna | Hamilton | EIRE-made: a Project on Promoting Irish Makers Through Digital Storytelling
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| Haiyue | Jing | A Way to Survive: an Ethnographic film project documenting first-generation working women in Southwest China, tracing their journeys of migration, memory, and transformation through lived stories and intergenerational dialogue (short film)
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| Catherine | Joyce | Queerness and Conflict as a Performance in Reality Television (short film)
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| Maeve | Loughran | ASD Accessibility Within Museums (National Portrait Prize audit and toolkit)
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| Cathleen | Lynn | (political protest online photo exhibit)
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| Caroliny Mendes | Malvezzi | Negotiating Dreams and Employability: The Realities of Young Artists in the CCI (short film treatment)
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| Mia | McCann | Femininity and Fear: a digital exhibition and analytical study
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| Anna | McHugh | Complex Women: the Many Faces of Womanhood on Screen – A Study of Evolving Female Representations in Film and Television (dissertation)
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| Annabelle | Morris | I Can’t Draw’: Creative Avoidance in Young Adults Through Art-Making Workshops
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| Karla | O’Hare | Music as Emotion Regulation for University Students
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| Katie | O’Reilly | Pagan Twilight: a zine documenting the re-emergence of Paganism in 21st-century Ireland
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| Deborah | Otache | Ireland Fashion Week marketing plan
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| Olwyn | Quill | I’m your favourite reference baby: Messy femininity, popular music, and the limits of resistance under neoliberalism (dissertation)
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| Kyna | Sharma | Reimagining Indian oud for the Irish market (brand research and marketing plan)
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| Orlaith | Nic Ghabhann (Smith) | Cois Traidisiun: A Video Collage Proposal for a Short Film about Learning Styles
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| Ella | Stratman | The American West in the Museum (museum interactive)
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| Stephen | Wong | Beyond the Gig: A Gig for Gaza (live music event)
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